The possibility of the sale of the house and garden of Lourdes Castro is at stake, being presented by the author Catarina Mourão as a question concerning a work of art — the last work of one of the greatest Portuguese artists.
Catarina Mourão writes as the author of an opinion on this situation, positioning herself on the cultural and artistic meaning that the preservation of this space represents.
Lourdes Castro is identified as one of the greatest Portuguese artists, whose house and garden constitute, according to the author, an extension of her artistic production and a testament to her creative legacy.
The central issue concerns the preservation versus sale of this space, which the author considers not merely a property, but an integral part of the work and artistic memory of Lourdes Castro.



