The closing program on Friday, August 28, of the 4th Fliparacatu brought together Mozambican writer Mia Couto and São Paulo author Noemi Jaffe in a dialogue moderated by writer Jeferson Tenório. The meeting, which was part of the fourth edition of the literary festival held in Paracatu, addressed themes such as the work of Guimarães Rosa, the artisanal handling of language, the beauty of the passage of time, and the sharing of unpublished works. Jeferson Tenório opened the dialogue citing Guimarães Rosa's presence at the festival and the quote from a student winner of the Essay and Drawing Award: "I am literature."
Mia Couto began his reflection on the origins of the act of narrating, warning about the risk of isolating literary work from everyday experience. The author recalled that he became a writer not only because of his love for reading books, but by paying attention to the stories told by his mother in Mozambique, which brought into the present relatives he could not meet. Mia revealed that Angolan writer Luandino Vieira sent him a copy of "A terceira margem do rio," and no other text shook him so deeply, being faced with the possibilities of a language situated at the exact frontier with orality.
Noemi Jaffe, author of the book "Te dou minha palavra," highlighted the respect and almost sacred dimension that Guimarães Rosa devoted to each word, emphasizing that the giving of the word to the other carries a donation of one's own soul. The author also recovered the distinction between chronological time and the expression "a hora e a vez," defining "vez" as the decisive and transformative moment in which the individual needs to throw himself entirely. Both authors addressed the poetic approximations between childhood and old age, with Mia relating maturity to the learning that comes from caring for wounded birds, mainly owls.
One of the most striking moments of the meeting was the sharing of readings. Mia Couto read, for the first time in public, the first chapter of his unpublished novel, scheduled for release next year, about the drama of trafficking and exploitation of young people in abandoned mines in South Africa. Then, Noemi Jaffe read the opening pages of her work "Te Dou Minha Palavra," narrating her perceptions before the mirror and the marks of time on the body, interweaving memories of childhood as the daughter of Holocaust survivors.





